Music Downloads & Lyrics
Let's
go.
Heat.
Heat.
Heat. Heat.
This is Bill Roupert and you've been
listening to the new Oceans Abyss from
ElectroHarmonics in New York City. The
Oceans Abyss Advanced Reverb Laboratory
is the most advanced reverb EHX has ever
made and one of the most versatile and
beautiful reverbs I've ever heard. There
are two independent stereo reverb
engines, delays, modulation effects, EQ,
saturation, bitc crushing, and more. All
assignable parallel series in a
selectable matrix. There's an effects
loop, expression pedal input, foot
switch, 128 presets, full MIDI control,
USBC, and an edit program that is soon
to be released. The Abyss has 10
different reverb types, and I've
recorded clips to let you hear them.
This first reverb is the Abyss Plate.
Heat. Hey. Hey. Hey.
This is the plate with the diffusion
turned down, making the reverb walk the
line in between a delay and a reverb.
This is a chorus in series with the
reverb to produce a rotary speaker
effect.
modulation and the polyonic pitch reverb
produce this classic
sound. Heat. Heat.
Oh, uh-oh.
Oh, the oceans. Abyss has the best
spring reverb emulation in the business.
It can produce not only the boing of an
old Fender spring unit, but with the
drive turned up, it has a great punk
surf sound like Reverend Horton Heat.
Heat. Heat.
Symphonic is a complex Lex algorithm I
made that produces a massive Bladeunner
type sound. This is one guitar live with
the exception of the crashes which were
overdubbed by slapping the strings
through a longhaul reverb.
Heat. Heat.
This is a shimmer effect with three
delays in a bitc crusher. The bitc
crusher produces a fine mist of noise
that floats over the sound.
Heat. Heat.
Heat. Heat.
Heat. Heat.
When you press down and hold foot switch
A or B, any of the reverbs will go in
infinite hold. With infinite feedback
turned off in the preferences, you can
hold chords and solo over them.
Oh, hey.
Heat. Heat.
The flyby preset uses a reverse reverb
with a tremolo block to pan the sound
across the stereo
field.
Heat. Heat.
The Abyss allows you to have two
reverbs. and six effect blocks or eight
effect blocks, four in series or eight
in parallel. It's up to you in your
imagination. You could have eight
8-second delays or eight choruses or
whatever you can dream of. This preset
emulates the Robert Frip tape loops. It
has two saturation blocks for a big
muff, a graphic EQ, and an 8-second
delay.
Heat. Heat.
Heat. Heat.
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