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pre era Eric Clapton. Uh he used little
bits of the notes that are outside of
the pentatonic like a little bit of uh
major stuff in there but not a lot. And
also he would bend the minor third just
almost to the major third and it added
that great bluesy vocal quality to it.
So instead of
He didn't do that. He slid from the
major
third and then the ma uh minor third on
the fifth fret E string. He bent that
just enough to where it started to sound
major. And then Chuck
Barry. So he's bending
it but also just doing the straight
hammer on major third like Chuck Barry.
So you can bend that fifth fret G string
just up a little bit like a quarter tone
all but even if you go all the way to
the major
third you would do it slow like um
And then that's the Chuck Barry thing.
Hammering from five to six. We're in the
key of A
here. So two times there. He's hammering
from five to six on the G
string. and he's hitting that E note on
the turnaround. So if you're in
crossroads Hey. Hey. Hey.
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