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Four ideas that have the potential to
enrich the flamco
guitar. I've been doing research at
Cordoba Conservatory for the last 9
months and here are my four findings.
The first idea I call the flamco
ornaments on the guitar. You add or
stick a fret next to another
fret. You play what I call a microonal
vibrto trail. That's a common technique
in flamco singing.
The effect is very different than the
standard semmitone
trill. Second, you can use fretless
frets to play gissandos or to create an
oudlike tone on the
guitar. Here is the intro of the oud
part of Pakodia's Almora on the guitar.
Here's a gissando that can be played in
banta amigos
mensah. Third idea, you can use natural
major thirds in major chords to achieve
greater resonance.
Fourth, you can play the tetra chords
and pentacord of Turkish, Arabic and
Persian makam music to create new
falsettas in flamco forms. Here I'm
using an usshak record in nino ricardo
zambra. Here I'm using huzamakam in a
rondenia. Here I'm using huzamakam in
zambra. Do you think these four ideas
could enrich the flamco guitar? Let me
know in the comments. For more
information about Macams and
microonality, check out my new microonal
guitar method which is in Turkish and
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