Music Downloads & Lyrics
When I started playing guitar, I kind of
discovered Steve as a as a player and he
really inspired me. Then his his album
Passion and Warfare came out and that's
when I got introduced to the Seven
Street guitar and I was like, "Wow." but
it never really it didn't touch on like
the low rhythmic stuff that I wanted to
hear out of the instrument. And so
that's when I knew I had to have a seven
string guitar to kind of explore that
and kind of satisfy my creative needs
playing really low rhythmic parts and
writing music with the seven string
guitar. So I guess it was about 1990
1991. What led me to play a seven string
guitar was James Monkey Schaefer. He
found this new obscure guitar that not a
whole lot of people knew about. So he
saved up all this money for it and would
go and play it every few days at the
guitar store until he could make the
final payment. And when I joined the
band, he let me play his backup. And
then once we got the two seven strings
blaring and just jam a few songs, he was
like, "Oh my gosh, this is huge. This is
powerful." And he he felt the power. And
that's where we started writing the
first corn songs that came from the
seven string guitar. That's kind of what
shaped the corn sound.
I mean, metal is already mean sounding.
And so to hear the seven string and how
low it was, it's just like even more
mean. So the meaner the better, I think.
And so it just opened up all these
opportunities. And it's just it's
mind-blowing to think back that all
these years later that it's been so
influential for so many guitar players.
ultimately will consume you. Probably
been using Dunlop strings for about 10
years. Dunlop was the brand that I sort
of gravitated towards. I've been playing
Dunlop strings for so many years that I
can't even count. They're just they're
awesome. Corn has always been about feel
and that's the way I approach my my
picks and my strings and everything that
I do musically. It just has to feel
right. Right now we're using heavy core
corn guitar strings 10 gauge and uh with
the high string 10 and the low 65 that's
what I use there. You know we try to get
a string that sounds almost piano like
when you're in a clean sound and
something that has clarity at high gain
and high volume when you're in the low
range. I love them and it's honestly
like the feel, the tension, the tone is
very important, but the growl because
with the low seven string, it can't be
muddy. So, the strings have to be
amazing to cut through for recording and
live. Something that's just reliable, I
think, is really important. something
that's consistent, especially since
we're on tour. We're changing strings
every day in in the studio. We're
changing strings every day. We're in
front of a lot of people every night.
So, like there was a quality that Dunlop
has in their strings and they've always
been willing to try new stuff with us.
The best thing about Dunlop is just
their their faithfulness and um quick to
give us attention and what we need and
just uh professionalism. So thank you
Dunlop.
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