Lyrics

So the 11 chord is a beautiful sus

chord that we usually play as the five

chord. So in

251, my two chord is going to be D minor

7. And as I moving to the five G7, the A

and the C move

down and I'm getting my G7 chord.

So that's a classic 25 voice leading.

But what if I suspend this

motion? I'm moving now to G in the bass.

But now I got the seven F, the 9 A, and

the

11 C. Now notice the 11 is also the four

same note. That's why many people call

this

chord 9 sus 4. G9 sus

4. Now, shouldn't we include also the

three? Where is the three? Now, that's

the whole point.

Originally, we should have

moved to the three here, the B. But

since we suspended this

motion, we end up with a chord with four

instead of three. So what now? In

classical

music, we now

resolve these two suspended note down to

a G7

chord and move home to C.

Okay. Now in more contemporary music, we

sometimes skip this

resolution and move straight from the

suspension chord, the sus chord to the

On.  
      

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